I’ve been working my way through some of the Main Range stories from the mid-2000s, mostly Fifth and Sixth stories. Quick rundown:
The Game (MR#66, Darin Henry, Feb 2005) - A heart-pounding story featuring Five and Nyssa that could perhaps be accused of coming across as corny in its sincerity. Possibly approaching camp territory with the inclusion of Jonathan Pearce, this story of a death-sport masquerading as a civil war probably has one too many twists in its plot; I never quite understood the central scam behind Naxi, but the sport itself was really easy to visualize. The body count is huge on this one too, you can imagine Saward nodding in blood-soaked approval. Only real big issue is that at six parts, every part is very short. It pounds along, but could be paced a touch better. 4/5
Catch 1782 (MR#68, Alison Lawson, Apr 2005) - Flicking back over to this Sixth Doctor and Mel adventure, and I have mixed feelings. Whilst the period is well evoked and the cast all give good performances, the narrative driving force is still basically “Mel gets drugged and gaslit over a period of many months”. Once I strip everything else back out of the story, it just strikes me as a desperately sad adventure, and one I didn’t remember particularly well. It’s interesting to me that this was penned by a woman, although it’s perhaps telling that after this Alison Lawson was not invited back for many years. I initially gave it 2.5, but in hindsight I think this one is mostly a miss. Also, something about the Sixth Doctor stories of this era have an oddly soporific quality; a dreamlike disjointed air that makes the universe Six has to survive feel mysterious, dangerous, but also slightly surreal. Maybe I should stop listening to them in bed, I don’t know. Either way, I think this is a 2/5.
Pier Pressure (MR#78, Robert Ross, Jan 2006) - Look here, I know I’m one of the loudest, most annoying voices on this website demanding Big Finish bring in some new blood to write for them, but I’m beginning to get an inkling that this period in the company’s history may well have something to do with it; Robert Ross’ only credit before this is Medicinal Purposes, a story only remarkable in that it wasn’t the complete ruin of David Tennant’s career before it had even had a chance (seriously, rapist Nazi, then…look, I don’t know how to kindly talk about Daft Jamie. There’s a big essay coming on the Sacrificial Moron in Doctor Who and how it just seems to keep happening, and Daft Jamie is one of the most egregious, yet still somehow David Tennant came out of his Big Finish career tipped to be the most popular Doctor of our lifetimes).
Seriously, what’s happening in this one.
Seriously. 1.5/5.
The Nowhere Place (THIS WAS A NICK BRIGGS STORY?)
Basically read what I wrote for Pier Pressure except it got bumped a star for having a story that was at least somewhat possible to follow. 2.5/5.
Three’s A Crowd (MR#69 [ehhh], Colin Brake, May 2005) -
Go and listen to this and then watch Dot and Bubble and tell me that Colin Brake (who also seemed to get consigned to to the oblivion of writing Choose-Your-Own-Adventure novels after this one) doesn’t have at least a bit of a reason to be miffed. RTD got the idea for the episode in 2009, and four years is very realistic timeframe for someone to work through their Big Finish backlog and get to this. It’s great, fantastic, by the way.
The Counci
l of Nicaea