TV Club: The Idiot's Lantern

I’m surprised to see that people are this negative about this poor man’s Nightshade remake.

It’s a mixed bag of good and bad stuff. Ten and Rose are annoyingly smug but look cool in their outfits. The way Ten intervenes in Eddie’s bullying is great, and the way Rose tries to do the same is forced. The supporting cast is unsympathetic to the point of annoyance, except for Mr. Magpie and the effective take on the Wire (which, sadly, loses some of its effectiveness once she begins sprouting catchphrases). Eddie is a revolting figure, overacted, and unlikeable; fortunately, he’s given what he deserves until the last scene ruins it. The setting and utilisation of early TV sets to tell an alien invasion story are interesting. The Dutch angles are dizzying, the faceless people creepy but underused, and the climax quite exciting.

But it’s no better than 5/10.

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Serviceable episode. The effect of the faceless people is done well. Like that the villain is always shown on the TV but ironically they’re lacking in depth a bit. Ten is a tad over-the-top.

Would be massively improved by being cut short by about 30seconds.

5/10

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Oh boi this one…
Series 2 is probably one of the biggest hit-and-miss Season for me, when it works, it really works, when it doesn’t. OH BOI.
And this one is a frustrating one. I do love the Idea behind our Monster here and there are some solid Moments with it (the faceless Humans still hold up quite well), but it kinda gets wasted, really.
I don’t think our Leads or the Side Casts give a particular strong performance here. And yes, as many pointed out, the Ending with Rose telling that Kid to keep in touch with his abusive Father is definitely a big point to be critical about.
Despite the poor handling of a heavy subject and the wasted Potential, this one just leaves me mainly bored. Dare I say it’s easily one of the worst Who Episodes for me. Definitely the worst of this Series for sure.

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My biggest issue with this episode actually isn’t the last scene, I mean, that’s not good obviously, but it reads to me as an unfortunate piece of writing that doesn’t quite manage to say what it wants to say, which happens sometimes.
What really annoyed me, on watching the first time especially, was that Rose got her face taken quite early (in my opinion) in the episode. While the doctor’s angry reaction to it was quite cool, it meant to me that the face stealing would definitely be reversed by the end of the episode and therefore there were no stakes left for me. I find a lot of that hinges on the side characters’ fates, and while there is the whole abusive father thing that just wasn’t done well enough to compell me. It also meant we didn’t have Rose for most of the story, and I found her dynamic with the doctor to be one of the best parts of this episode.

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One of those middling stories. A great idea that is underdeveloped.

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Agreed, but I still have a huge soft spot for it. The visuals, especially. Faceless people, faces trapped in the TV screen, the Wire changing from monochrome to colour ~ I love it. One of my ‘guilty pleasure’ episodes.

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I rewatched this one last night for my own marathon so I’ll be back with thoughts.

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I still want to write a proper review but thought I’d share my main thoughts from my recent rewatch.

I really, really enjoyed this. A lot of people describe this as the epitome of a ‘mid’ episode but for me it came out of this rewatch as a 4/5.

The period detail and atmosphere is excellent. The living room of the Connellys, the street party, Magpie’s shop, the transmitter station, the cage where the faceless people are watched. It all feels so atmospheric. The dutch angles are maybe an odd choice but I really feel like they work in this story.

The opening scene with the Doctor and Rose. I know the smugness grates across this season for many - myself included - but when an episode is watched in isolation it actually isn’t too bad and this first scene with the Doctor emerging from the TARDIS on a moped and Rose in period costume is great fun. Not sure why it takes the Doctor so long to realise he’s not in New York but it’s still quite a fun gag.

The Wire is such a fun villain and impeccably played by Maureen Lipman who, bearing in mind she never goes beyond a head and shoulders on a screen, embues the character with proper menace. Yes, ‘Hungry!!’ doesn’t always work, especially as it continues but it works well enough at the start and the visual of people’s faces being sucked into the TV is pretty scary. As an example of Doctor Who making the ordinary scary it’s a good one and using an object that children would literally be watching the adventure on is a stroke of genius.

Ron Cook is great as Magpie too. A man trapped by his own inadequacies and desperate for a way out. In fact, typing that makes me realise he is mirrored in Eddie Connolly - another man who is trapped by his inadequacies and therefore traps those around him to hide it. His betrayal of the families in the street, and then his own mother-in-law is his way of protecting his tiny kingdom. He is a man with no sense of self, only defined by his role as the head of the family.

And that final scene which upsets so many. I think it is played right. Eddie is a monster but he is weak. You can see how easily he is shouted down by the Doctor, how easily he cowtows to Rose’s authority about the flag. Even Rita is able to stand up to him. I know people read him as an abusive father and that is definitely there, especially in how Tommy reacts to him, but both are able to stand up to him, even before the end of the story comes round. I think it is more written as a dominant father who wields his power through a lot of shouting and aggressiveness. He isn’t presented as irredeemable though. He is presented as someone who can, pretty easily, be shouted down and be told to sod off. Tommy going after him just adds to the fact that he can be given a second chance and that, after those events, he may be able to see the error of his ways and get a second chance. In a show where the Doctor even tries to give Davros and the Master, second chances, why would he not wish for a fallible human to be given a second chance. The power has shifted to Tommy - he now has the ability to choose how their family functions and relates. I think that’s actually a pretty important message.

Of course, if you read it as him being physically abusive (which I really don’t think is given any real evidence of) you’re going to find that final scene difficult to swallow, but for me, I don’t think the script is actually going down that route.

Yeah, I liked that one and think it deserves some element of reappraisal.

(Those sentences with the second chances should have been given a second chance because I’ve reread that bit and I do say second chances way too much! It’s late - sorry!)

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You just have :joy:

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I’d probably defend the episode a bit myself if it wasn’t for that last scene. I would love to see Maureen Lipman back, and the Wire with some better dialogue.

But, you know, I’m not about giving second chances to the type of person who in modern day America would be turning people over to ICE to be deported. And if someone’s abusive at all, even if not physically abusive, you should be cutting them out of your life.

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This might be the only episode that I will go full white knight defensive about from criticism. Not to say that I don’t get said criticism, but there’s quite a bit about this episode that I personally think doesn’t get its fair due. I’ve seen arguments that this is the worst episode of the entire show, classic and revival, but quite frankly, I wish the worse episodes fascinated me as much as this does.

Reposting from a different thread, because I stand by every word of this and I doubt I’d be able to recreate it effectively here otherwise. What is your favorite Mark Gatiss script? - #10 by Mahan

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It is interesting, thinking about it, that in my mind this stands next to Love and Monsters due to the same issue; a fairly botched ending.

I might have to think about which episodes are ruined by their endings for me…

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